IFWG Publishing is pleased to announce the upcoming release of a poetry anthology chapbook, titled Infectious Hope, edited by Silvia Cantón Rondoni. It incorporates themes of hope and resilience during COVID, bringing the writing community together during the pandemic. Silvia has curated an exceptional anthology filled with diverse poets from all over the world.
The chapbook will be released worldwide in late 2021 (date will be finalised in coming weeks), and will comprise the following poets:
Linda D. Addison
Claire G. Coleman
Joe R. Lansdale
Hester J. Rook
Angela Yuriko Smith
Kyla Lee Ward
…and a Foreward by Lee Murray.
Stay tuned for cover reveal and specifics on release.
IFWG Publishing is very pleased to reveal the cover of the second in its Chapbook Series, Tool Tales, with photography by Ellen Datlow and microfiction by Kaaron Warren.
Multi-award winning creators Ellen Datlow and Kaaron Warren teamed up on Facebook a few years ago when Ellen posted photos of antique tools and Kaaron wrote microfiction pieces to accompany them, without either of them knowing what the tools were for.
This chapbook collects and preserves their playful interaction for readers to enjoy.
This unique 30-page book will be released in print-format only on 8 March 2021.
IFWG Publishing is pleased to reveal the cover for Cary J Lenehan’s fifth instalment in his epic fantasy Warriors of Vhast series, Gathering the Strands. Artwork and design by UK-based Catherine Archer-Wills.
“We love the cover art and design for this volume in the series,” said Gerry Huntman, Managing Director of IFWG, “and especially with a non-combative scene, depicting one of the series’ long-standing characters in a professional setting. The quality of Archer-Wills’ work is outstanding, and captures the vivid world that Lenehan has created.”
Gathering the Strands will be published world-wide on the 1st March 2021. Preorders will be offered in January 2021.
It is with great pleasure that IFWG can reveal the cover for Veny Armanno’s upcoming novel, The Crying Forest. It contains wonderful artwork by Daniele Serra, an artist well known in the horror and dark fantasy market.
The novel will be finalised in coming months, to wait in the release queue, available for sale when the marketplace is stabilised following the current COVID-19 crisis.
Agata Rosso, a once-mighty yet now prematurely aged European witch, believes that the special gifts in a young girl named Lía Munro can restore youth and vitality both to herself and her bedridden husband. She sets a deadly plan in motion to capture and use Lía—but will the girl have enough power to protect herself, plus the father she loves so much?
An earlier version full cover wrap of the art is also striking:
It is with great pleasure that we reveal the front cover of Russell Kirkpatrick’s upcoming novel, Silent Sorrow, book 1 of his The book of Remezov series. It will contribute to our Masters of Fantasy sub-imprint of titles.
Luke Spooner, a long-standing artist and cover designer with IFWG, has masterfully echoed the atmosphere and vibe of the artist Vermeer, which in turn captures the fantasy setting depicted from Kirkpatrick’s book.
We will reveal more in the near future, leading to its world-wide release on 1 June 2020.
It is with pleasure that we announce the release dates for Andrew Cull‘s chilling horror novel, Remains. It will be released in North America on 16th September 2019, and Australia/UK/New Zealand 1st August 2019.
The absolutely wonderful artwork and design is by our welcome regular, Luke Spooner (a very different style to his usual, beautifully echoing classic horror movie poster designs, but at the same time capturing the essence of Andrew’s work).
Preorders will be available soon.
Grief is a black house.
How far would you go? What horrors would you endure if it meant you might see the son you thought you’d lost forever?
Driven to a breakdown by the brutal murder of her young son, Lucy Campbell had locked herself away, fallen deep inside herself, become a ghost haunting room 23b of the William Tuke Psychiatric Hospital.
There she’d remained, until the whispering pulled her back, until she found herself once more sitting in her car, calling to the son she had lost, staring into the black panes of the now abandoned house where Alex had died.